Category Archives: Reviews

Gender, sexuality and postcolonial identity in My Beautiful Laundrette

As a cinematic examination of postcolonial Britain, Stephen Frears’ My Beautiful Laundrette, written by Hanif Kureishi, is highly effective in its purpose. Here, I will discuss the ways in which the film explores postcolonial identity, particularly in relation to the politics of gender, questions of sexuality and the family unit, as well as the cultural connotations that are inherent across each of these. Continue reading

Review: Dave Lordan’s First Book of Frags

Experimental texts pose something of a quandary to electronic textual analysis in that they tend to abandon those typical statistical trends required to form an authorial signature. Computational stylistics, for all its analytic diversity, is utterly dependent on the integrity of its authorial signature if it is to be used as an approach to analysis. If you want to see why computational stylistics is the realm of digital humanists and not purebred statisticians or computer scientists, run Finnegans Wake through R. Of course, the nature of experimental texts, while problematic in relation to any analysis based on computational linguistics, also presents the opportunity for textual explorations of a refreshingly unpredictable fashion – it is in experimental works that the digital humanist can hope to produce results that are truly unexpected, even if the unexpected is precisely that which is expected. Enter Dave Lordan, and the wonderfully crafted First Book of Frags, his recent collection of experimental short stories. At first I had intended to offer a traditional review of the text, but these will undoubtedly be in plentiful supply, and with time against me and my curiosity piqued at the prospect of running a brand new experimental text through the digital gauntlet, I couldn’t resist but take a computational approach. This decision was of course influenced by the fact that this is a collection of experimental short stories – 16 unique segments – mouth-watering to a cluster fiend such as myself.

Amongst his many other accomplishments, Ian Fellows will long be remembered as the scholar who gave us empirical word clouds.  Using his innovative R package, I generated such a visualization of the top 50 most frequently used words in Lordan’s collection, excluding those that would be considered common. Common words only have significance in the development of an authorial signature, and thus would have served little purpose to this particular aspect of the analysis.

First Book of Frags Wordcloud

50 most frequent uncommon words in Dave Lordan’s First Book of Frags

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Entering the Blogosphere: Aimée Morrison’s “Blogs and Blogging: Text and Practice”

Not everyone has entered the blogosphere, but for those who have yet to take the plunge, academic or otherwise, reading Morrison’s article on the matter would go a long away towards alleviating that first dip in what is an increasingly vast ocean. Though penned some years back, the piece still has much relevance…

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Traversing the Digital Jungle: A Brief Review of “Electronic Scholarly Editions”

The rapidly evolving blend of literature and technology that we see at present is well documented in Kenneth M. Price’s article, “Electronic Scholarly Editions”. Readers who are familiar with the author will approach the piece acutely aware of Price’s view in relation to the digital humanities. Through his association with the NINES initiative, Price has secured his seat upon one of the field’s most innovative projects. A literary pioneer of the Digital Age, Price is well placed for such an examination.

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A Short Review of “The Text Encoding Initiative and the Study of Literature”

Successfully striking a balance between the technical and non-technical aspects of its subject matter, James Cummings’ article on the Text Encoding Initiative presents to its reader a complete picture of standardisation in electronic scholarly literature. The author blends historical, technical and academic contexts to ensure that he can provide as full an understanding as is possible to both literary scholars, who are generally not technically adept, and conversely, to technical individuals, who might not fully comprehend the more literary aspects.

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Descending into the Maelstrom: Alan Liu’s “Imagining the New Media Encounter”

What makes media “new”? Is new media, as we understand the term, actually new? To my mind, newer media would be a more appropriate term, or as Liu puts, new media encounter

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